*This post may contain affiliate links. This means we receive a small commission if you choose to purchase through these links, at no extra cost to you. We only recommend companies/products we use and trust.

The sun set not long after Rana, Dorota, and I left Berlin, and I was disappointed when inky darkness quickly swallowed the countryside around us.  Mountains, forests, entire lakes…anything could have been obscured by the utter blackness just the other side of our car windows.  The night shrouded Poland in obscurity, prolonging the mystery of a country I’d never before visited.

When we crossed the border from Germany, not a single border guard was present.  Since I’d forgotten my passport at home in Switzerland, it was probably for the best, though I’ve yet to be asked for any form of id driving into France, Germany, or back into Switzerland.  Crossing the border here in Europe so far has been considerably less restrictive than it is between the US and Canada and certainly more so than the US/Mexico border.

After a couple of hours of uneventful driving, we were somewhere near Legnica, Poland when we hit a stretch of road Dorota had warned me about.  Suddenly our smooth, two-lane road switched to one that, though still paved, had a rough surface with sharply raised grooves at frequent, irregular intervals.  The road, known as the A4 autostrada in Poland, is part of the E40 – the longest road in Europe, stretching over 8000 kilometers from the Calais in France to Kazakhstan, ending just shy of its border with China.  Sections of the A4 were built by Nazi Germany during the 1930s but were not maintained or improved during WWII or the decades that followed.

Many of Poland’s roadways have been modernized, but we had reached one of these original sections of pavement, one of the last still awaiting improvements.  Though a far cry better than miles of gravelly potholes, it was jarringly uncomfortable nonetheless.  We bumped along at 80-100 kmph for nearly an hour until we neared the city of Wroclaw and found smooth sailing the remainder of the way to Pruszowice, our final destination near Wroclaw.

Finally pulling off the main road, we crept down one, and then another, bumpy country road before finally coming to rest in a small forested parking area.  Through the trees in otherwise total darkness, I could see a brightly lit two-story cottage in the distance. Grateful to be out of the car, I inhaled the smells of a truly wild wooded forest for the first time since Trav and I left our home in Oregon.  Grabbing luggage and gifts from Switzerland, I followed Rana and Dorota to the house.

Ula's house in Poland

Ula’s peaceful home in the woods is bathed in morning light in Pruszowice, Poland.

We were greeted at the door by Dorota’s mom, Ula, whom I was meeting for the first time, and Dorota’s two sisters, who warmly swept us inside.  I felt positively enveloped in hospitality!  After depositing my bags upstairs in a cozy, country-style bedroom with hardwood floors and sloped wooden beams, I rejoined the ladies downstairs, where I remained until the wee hours, drinking wine with the others around the giant diningroom table, playing Cluedo Sherlock (and losing, though I can’t blame the wine), and nibbling on a variety of Swiss chocolate we’d brought.

Feeling humbled by their hospitality and uncharacteristically reserved, I listened as the other girls cracked silly jokes, talked about music totally foreign to me, and frequently slipped comfortably into Polish.  Drained by a long day of sightseeing in “Berlin, The Gritty City,” hours of driving, and too many glasses of wine, I finally bade everyone good night and left the warmth of the wood fire for my cozy bed upstairs.  I fell asleep to the cheery sounds of laughter downstairs and of Fifka, the affectionate resident kitty, thumping up and down the stairs, chasing some imaginary foe that stood little chance of escape.

Fifka, the resident kitty, is a charmer.

After waking late the next morning and devouring a varied spread of cheeses, breads, and fried eggs farm-fresh from the nearby village, I eagerly accepted Dorota’s invitation to try my hand at making pottery.  She and Ula, an accomplished ceramist and teacher, led me out to the pottery studio attached to the house.  Both of them make pieces they sell in markets and galleries in Poland, Switzerland, and elsewhere in Europe.

Ula’s ceramic studio at her house in Pruszowice, Poland

I spent the better part of the afternoon in the studio, greedily soaking up information from Ula about basic pottery techniques.

While Dorota and Ula each worked on their own pieces, I try to smooth off my bowl.

She allowed me to feel the textures of several different kinds of clay, some pliable with a smooth texture, others more sturdy or with a gritty texture.  Selecting a specific ball of clay, she gave it to me to roll out like cookie dough, then showed me how to create the bowl shape by molding it to a hard plaster form and leaving it on top of the wood stove for a spell to dry and harden.

Coming back to it later in the day, she helped me file down the uneven edges (though even my best efforts left irregularities), suggested I could put feet on it if I chose, and provided ample tools to create etchings or 3D designs on it.

My completed bowl with a 3-leaf base and vines, before firing in the kiln

While my bowl was drying on the fireplace, I tried another technique.  Making a small round clay base, she then instructed me to roll out long, thin strands of clay.  Each strand was laid around the perimeter of the base, one atop the next, until the mug was my desired height.  Using a small tool like a painter’s palette knife, the ropes of clay were then melded together.  After rolling out a handle, I scored each end of it and the mug where I would attach it with small scratch marks, then dotted those areas with a mixture of clay and water to act as glue.  After much mushing to merge the handle with the base and to shape the lip like a flower, my mug was essentially complete, though it would need to be fired in the kiln.

My next project is a mug with an irregular flower petal lip.

The last and possibly neatest technique Ula showed me was throwing a piece on the potter’s wheel. Selecting a whiter, softer, and finer-grained ball of porcelain clay for this project, Ula handed it to me, telling me to pound it into a compact ball without air pockets. Heated in the kiln, these air pockets could explode.  I first watched Dorota working on the wheel, then took a seat amidst laughter and jokes about the pottery scene from the movie Ghost. 

Dorota throwing a small vase which she’ll later decorate freehand with delicate vines and leaves.

Aiming my ball at the very center of the wheel where I was supposed to throw it with some force, I threw – and completely missed the center. Incredibly patient, Ula helped realign my glob of clay, showed me where to put my foot to control the speed of the wheel, and directed me while I added water to my clay and started spinning it.  I was startled to be able to feel even tiny irregularities in the shape as it spun. How to control those irregularities and mold it into what I wanted turned out to be elusive.

Even under Ula’s watchful eye, I accidentally obliterated the bottom by pushing my finger all the way down, creating a hole in the base.  With her tutelage, I continued anyway and created a crooked cylinder with uneven walls shortly before the entire tower of mush collapsed into a seemingly hopeless mound.  At that, she left me for a spell and allowed me to just play freely.  Somehow, I started to get the hang of it and when she returned a bit later, I’d managed to create a fairly symmetrical bowl.  All a credit to the teacher!

After trying the three basic methods of making pottery, the wheel is my favorite, and not just because of visions of Patrick Swayze!

Late in the afternoon, I was the last one still working in the studio when Dorota suggested we head into the nearby town of Wroclaw so they could show me around, something I was most eager to do.  I hastily finished the leaves on my bowl and regretfully left the studio, taking one last look at the pieces I’d made and at the rows of Ula’s beautiful works lining her shelves.

Since we didn’t have enough time to do it during this trip, Ula generously offered to fire my pieces in her kiln, a process that typically takes several days and multiple firings.  Dorota offered to fly at least one of my pieces home with her during her next trip to Poland, though my bowl with the leafy pedestal is likely too fragile to fly.  Even if I never see any of my pieces completely finished, I won’t forget such an enjoyable day in her studio!

This is one of Ula’s completed pieces. Photo courtesy of http://bugajewska.pl


I leave you with this amusing clip that Ula shared with me.  Meet Pat a Mat, two Czech handymen trying to make their own pottery!


Know Before You Go:

  • If you’d like to purchase any of Ula’s pieces, inquire about classes, or would like to RSVP for a one-week workshop she’s conducting at her studio, you can contact her directly.
  • Not interested in pottery but want to visit the area and stay at this charming country home?  You’re in luck!  You can book a room in Ula’s home through Airbnb, where it’s known as The Hourglass Sanatorium.

4
Drop Us A Line Below

avatar
600
1 Comment threads
3 Thread replies
0 Followers
 
Most reacted comment
Hottest comment thread

This site uses Akismet to reduce spam. Learn how your comment data is processed.

  Subscribe  
newest oldest most voted
Notify of
Simone
Simone

Hello! Looking on the web, dorota Gajewska … and I can not find it! Except in your article;) I use google translation (thank you Google) to ask you if you have a contact with Dorota!. Is she still in Fribourg in Switzerland? For the past year I purchase of the ceramic … and I like to have again! 🙂
Bcp thank you for your information!
Greetings and beautiful teamwork! 🙂
Simone